Installation view, Talking to the Plants, Martin van Zomeren, 2019
Installation view, Talking to the Plants, Martin van Zomeren, 2019
Installation view, Sincere Color from the Promised City (I), 2019
Installation view, Sincere Color from the Promised City (II), 2019
Installation view, Sincere Color from the Promised City (III), 2019
Installation view, Talking to the Plants, 2019
Installation view, Talking to the Plants, 2019
Installation view, Talking to the Plants, 2019
Installation view, Talking to the Plants, Martin van Zomeren, 2019
Installation view, Talking to the Plants, Martin van Zomeren, 2019
Installation view, Brick Work, 2019
Installation view, Brick Work, 2019
Installation view, Brick Work, 2019
Installation view, Brick Work, 2019
Ora pro nobis [Pray for Us] sound installation
With mixed media; scaffolding, Wood, sheet meta, zinc, plastic.
speakers and sound player.
Dimensions: 690 x 430 x 450 cm
Photography by: Galo Mosquera, Biennal de Cuenca
2018
Ora pro nobis [Pray for Us] sound installation
With mixed media; scaffolding, Wood, sheet meta, zinc, plastic.
speakers and sound player.
Dimensions: 690 x 430 x 450 cm
Photography by: Galo Mosquera, Biennal de Cuenca
2018
Ora pro nobis [Pray for Us] sound installation
With mixed media; scaffolding, Wood, sheet meta, zinc, plastic.
speakers and sound player.
Dimensions: 690 x 430 x 450 cm
Photography by: Galo Mosquera, Biennal de Cuenca
2018
Installation view, Possibility and Repetition, Martin van Zomeren, 2016
Installation view, Possibility and Repetition, Martin van Zomeren, 2016
Boundary and depth, 2018
40 clay bricks
190 x 199 cm
Oscar Abraham Pabon
Boundary problems II, 2018
36 clay bricks
200 x 172 cm
Remainder 03, 2018
10 clay bricks and acrylic
99 x 108 cm
Spite pavilion, sound installation (El pabellón del despecho)
Mixed media; scaffolding, Wood, sheet meta, zinc, plastic, speakers and sound player.
Temporary intervention in public space on the dock of
historic Melbourne & Clark of Antofagasta, Chile
Photography by: Cristian Ochoa – Producción SACO6
2017
Spite pavilion, sound installation (El pabellón del despecho)
Mixed media; scaffolding, Wood, sheet meta, zinc, plastic, speakers and sound player.
Temporary intervention in public space on the dock of
historic Melbourne & Clark of Antofagasta, Chile
Photography by: Cristian Ochoa – Producción SACO6
2017
Spite pavilion, sound installation (El pabellón del despecho)
Mixed media; scaffolding, Wood, sheet meta, zinc, plastic, speakers and sound player.
Temporary intervention in public space on the dock of
historic Melbourne & Clark of Antofagasta, Chile
Photography by: Cristian Ochoa – Producción SACO6
2017
Spite pavilion, sound installation (El pabellón del despecho)
Mixed media; scaffolding, Wood, sheet meta, zinc, plastic, speakers and sound player.
Temporary intervention in public space on the dock of
historic Melbourne & Clark of Antofagasta, Chile
Photography by: Cristian Ochoa – Producción SACO6
2017
Horizontal sculpture intervention in public space, urban furniture
Terrazas del Ávila, Estado Miranda, Venezuela.
work commissioned by: Alcaldía del municipio Baruta
concrete formwork, 2012
Horizontal sculpture intervention in public space, urban furniture
Terrazas del Ávila, Estado Miranda, Venezuela.
work commissioned by: Alcaldía del municipio Baruta
concrete formwork, 2012
Transportable Geometry, 2016, eight tape measures, 230 x 190 cm
Double Empty, 2016, ceramic, egg shells, 16 x 29 x 9 cm
Modern Crafts, 2014, cutouts on ornamental graduation papers, diptych, 27,9 x 21,6 cm
Sculpture of Time, 2015, balloons, chewing gums, variable dimensions
Modern Crafts, 2014, cutout on ornamental graduation paper, 27,9 x 21,6 cm
series of 3 unique works
Modern Crafts, 2014, cutout on ornamental graduation paper, 27,9 x 21,6 cm
series of 3 unique works
Modern Crafts, 2014, cutout on ornamental graduation paper, 27,9 x 21,6 cm
series of 3 unique works
1950, 2015, wood assembly, 30 x 60 x 70 cm
1950, 2015, wood assembly, 30 x 60 x 70 cm (detail)
Tebas Chair, 2010 - 2014, MDF design, 55 x 30 x 30 cm
Representation of a piano, 2014
Installation view, Rijks OPEN, Amsterdam, 2014
Representation of a piano, 2014
Installation view, Rijks OPEN, Amsterdam, 2014
High purity, monument to Ludwig Wittgenstein, 2014, 43 clay bricks, wooden pedestal, ceramic, 5 x 10 x 21 cm (each clay brick), 35 x 40 x 95 cm (wooden pedestal), 37 x 40 x 21 cm (ceramic sculpture)
High purity, monument to Ludwig Wittgenstein, 2014, 43 clay bricks, wooden pedestal, ceramic, 5 x 10 x 21 cm (each clay brick), 35 x 40 x 95 cm (wooden pedestal), 37 x 40 x 21 cm (ceramic sculpture) (detail)
Sculptural tradition, 2013 , sectioned carpet with metal sculpture, 60 x 50 x 20 cm
Sculptural tradition (series), 2013, sectioned carpet with metal sheet, 120 x 160 x 15 cm (detail)
This is forever, 2013 , c-print, 150 x 90 cm
This is forever (2), 2013, c-print, 150 x 90 cm
This is forever (3), 2013, c-print, 150 x 90 cm
Puddle Jumpers, 2010, reinforced concrete, 50 x 60 x 10 cm