• Death Ship Paintings
  • Jean-Baptiste Maitre
    8 September – 6 October 2018
  • Press release

    Halfway between painting and digital image making,
    Amsterdam based Jean-Baptiste Maitre (FR) explores
    new methods for figurative representation.

    Images of still lifes and horror scenes inspired by
    Dutch paintings as well as 1980s horror movies are
    translated into technically ambiguous paintings.

    First, a thick white layer of acrylic paint is applied
    onto resin-coated paper. The paint is then quickly
    manipulated with fast brushstrokes to create the
    base of the painting.

    In the second phase, Maitre scans and digitally
    analyses the visual structure of the brushstrokes.
    Using image editing software, colors are carefully
    applied and printed onto the painting through inkjet.

    The result is a visually contrasted painting that
    combines a fast hand-painted image with digitally
    precise color printing.

    Death Ship Paintings
    The exhibition title is inspired by a 1980 movie, The
    Death Ship. Its poster is used to produce one
    of the paintings exhibited. It also refers to the
    technical ambiguity of the paintings and their
    subject matter.

    They’re like ghostly process
    Like they are paintings, and they are not
    Like dead and undead
    Like in horror tales

    Endless Love Contracted/Expanded
    The two works Endless Love Contracted/Expanded
    are made by using the poster of the 1981 movie
    titled Endless Love.
    One movie poster is cut into 25 pieces and
    expanded evenly on one wall. Another poster is
    also cut into 25 pieces and is put back together on
    a smaller sized canvas so that it appears contracted.