Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Navid Nuur "The Afterglow III" 2019 at Stichting NDSM-werf, curated by Rieke Vos. Images by Cassander Eeftink Schattenkerk.

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

Installation view of Sandman's Sand, 2017

The Tuners, 2005-2018. Prepared linen canvas, mixed media. 165 x 218 cm. FIAC 2018

‘The main remain’, 1988-2017 (green), reflecting sheet, metal, grey block out paint
90 x 60 x 2,5 cm (photo with flash)

‘The main remain’, 1988-2017, reflecting sheet, metal, grey block out paint, 39,5 x 28,5 cm

Untitled, 2014-2016, hand cut glass, acid, climbing grips, ceramic, various types of wood ash glaze, carbon, 72 x 54,5 x 7cm

Untitled, 2014-2016, hand cut glass, acid, climbing grips, ceramic, various types of wood ash glaze, carbon, 92 x 40 x 4,5 cm

‘Thresholder (as pillar)’, 2007 – 2016, floral foam blocks, hardener, 51 x 51 x 205 cm

Navid Nuur, Untitled, 2015, diapositive lightbox with LED backlight, laserchrome print, 72 x 49 cm

Untitled, 2010-2015, crushed vitamin D pills on canvas, 108 x 143 cm

‘Rituals of the Rational’, Late Cretaceous period - 2015, various stone ware clays, coprolite (petrified dinosaur feces), palmtree ash, various types of wood ash (larch, beech, oak), seashells. Woodfired for 24 hours, 3 days cooling, variable dimensions

‘Rituals of the Rational’, Late Cretaceous period - 2015, various stone ware clays, coprolite (petrified dinosaur feces), palmtree ash, various types of wood ash (larch, beech, oak), seashells. Woodfired for 24 hours, 3 days cooling, variable dimensions

Untitled, 2015, linnen, gesso, 136,5 x 123,5 cm

‘Untitled’, 2013, clean scraped mirror, 45 x 60 cm

‘Untitled 241014 (Unified not Uniformed)’, 2014, plasma cut metal, rust, anti rust paints, air, blood, 6,5 x 11,5 x 1,5 cm

‘Untitled 271014 (Unified not Uniformed)’, 2014, hand heat cut metal, rust, anti rust paints, air, blood, 13 x 21 x 1,5 cm

‘Untitled (Please free also this colour from Pantone prison)’, 2009 - 2014, Pantone pencil on paper, Pantone pencil 15-1922, 33 x 25,5 cm (incl. frame)

Study 50-53 (The Eye Codex of the Monochrome), 1984-2010, acryl (chroma key paint) on wood, 170 x 125 cm

Home, 2007-2014, bee pollen, styrofoam balls, glue, 45 x 64 x 190 cm

‘TENTACLE THOUGHT NR. 5/ (HOCUSFOCUS)’, 2004-2008, light box container, light tubes, cables, montage set

Untitled (The Broken Square), 2010-2012, red neon gass, glass, broken glass, 100 x 140 cm

Untitled (The Broken Square), 2010-2012, red neon gass, glass, broken glass, 100 x 140 cm (detail)

Untitled (The Broken Square), 2010-2012, red neon gass, glass, broken glass, 100 x 140 cm (detail)

‘BROKEN CIRCLE’, 2011, neon, gas, broken glass, diameter: 120 cm

‘Untitled’, 1988-2011, serpentine rock, neodymium magnet, iron dust, approx. 40 x 30 x 15 cm

‘Recaptured from the Collective’, 2006-2012, one thought, time, ink, paper, enlarged traced styrofoam, 92 x 101 cm (incl. frame), approx. 190 x 60 x 60 cm (styrofoam sculpture)

‘Recaptured from the Collective’, 2006-2012, one thought, time, ink, paper, enlarged traced styrofoam, 92 x 101 cm (incl. frame), approx. 190 x 60 x 60 cm (styrofoam sculpture)

Untitled/ PLEASE (RE)LOCATE (Y)OUR VIBE(S), 2007 - 2008, barbecue black on lightbox, movement sensor, 26 cm x 11 cm x 12 cm

‘Untitled’, 2009-2011, 1 mirror, 2 scraped mirrors, plywood, 94 x 130 x 15.5 c

‘Untitled’, 1988-2011, the artist’s eraser, coated with gold, 5.5 x 2.2 x 0.5 cm

‘Ours’, 2012, one dried tear, one slide, slide projector, approx. 400 cm x 250 cm

‘Wiki Table’, 2012-2013, metal, marble, magnet, mirror, hot-water bottle, vitamin D, medallion, aluminum wire, linking ring, 112 x 56 x 146 cm
Installation view, Martin van Zomeren

‘Wiki Table’, 2012-2013, metal, marble, magnet, mirror, hot-water bottle, vitamin D, medallion, aluminum wire, linking ring, 112 x 56 x 146 cm (detail)
Installation view, Martin van Zomeren

(T)HERE, 2013, neon, gas, phosphorescent coating, 53 x 23 x 3 cm

‘Untitled (LUBE LOVE)’, 2004-2014, ink, artist bath water, 24 x 15 cm

‘Tentacle Thought NR:3 (TRY)’, 2006-8, light box container,light tubes, cables, montage set, dimensions variable

‘Untitled (to or to, be not be)’, 2006-2013, washing rack, primer, kite polyester, aluminium, roof top coat
Installation view, ‘LwUBE LOVE’ (solo exhibition), Bonnefantenmuseum,
Maastricht, 2013 - 2014

Installation view, ‘LUBE LOVE’ (solo exhibition), Bonnefantenmuseum,
Maastricht, 2013 - 2014

Installation view, ‘LUBE LOVE’ (solo exhibition), Bonnefantenmuseum,
Maastricht, 2013 - 2014

Installation view, ‘LUBE LOVE’ (solo exhibition), Bonnefantenmuseum,
Maastricht, 2013 - 2014

‘ROCKED’, 2006-2008, styrofoam balls, glue, slide projector, 150 cm x 50 x 40 cm (each)

‘REDBLUEREDBLUE’
installation View, Kunsthalle Fridericianum, Kassel, December 2009

‘REDBLUEREDBLUE’ (detail)
installation View, Kunsthalle Fridericianum, Kassel, December 2009

Vein of Venus, 2008, ice cream, freezer, projector, dimensions variable